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The Apocrypha

The second shelf. These are not stories about Aura-36. They are stories written by the people who live in it. Three fantasy adventures by the man who built the world, a furnace story told aloud in a foundry for a century, eleven pieces in a childs tin, a casebook nobody was asked for, and thirty-one anonymous leaves. Every one of them is invented, none of it happened, and nothing on this shelf can contradict anything, because none of it is a record of anything.

Works: 19 Written: 3 of 19 Canon: none of it
+ The Apocrypha — Shelf Illustration Placeholder
01

The Shelf

Nineteen invented works. Each has its own form rather than chapters, because a story told aloud, a childs tin and thirty-one loose leaves are not the same shape and should not be forced into one.

The sixteen below aren't written yet. Each one is a real premise, not a placeholder — the blurb is what the work will be about. Which gets written first isn't decided. Once The Off-World Deck is up, that's where votes happen: tell us which of these you want most and the most-requested ones get written first.
Work Two · the Smelter Sinks no author · 9 tellings

The Long Count

One story told at the same point in every shift changeover for about a century, transcribed from nine different tellers and never smoothed. The furnace changes size. In three of the nine he comes back and in six he does not, and the six are the later ones.

Not written yet · vote for it →
Work Three · forty metres down Aurora · 11 pieces

Bell and the Biscuit

Eleven very short pieces written into a tin by a girl of about ten about a machine that settles arguments. It is not good. Every serious document about the H.A.L.O.s was written by somebody with a position. This one was written by somebody with a tin.

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Work Four · the Touge Passes a Vigil Guide · 10 readings

Ten Readings

A fantasy about a world with a full Earth gravity, written by somebody who has never stood in one, read aloud on the walk, one per Vigil. A man carries a bucket up a hill. Somebody falls and it matters. The only fiction the Weighted ever produced.

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Work Five · an unledgered settlement unknown · 31 leaves, four missing

Untitled

No title page, no author, no date. Somebody leaves a place, nobody follows, and the whole of the rest of it is the walking. The author is in no register anywhere on this planet. It is the only evidence that they existed, and it proves it by being fiction.

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Work Six · the deep counties Idris Fenn · nine cases

The Kroll Casebook

Sabin Kroll is a Resonance Analyst — she tunes the grid, and the implant lets her feel the planet move. Nine cases, written up by the healer who follows her around, who is not clever and knows it. The first is the phosphorescent thing that hunts miners near Venus Reach, which the administration files as geological stress hallucination. Nobody asked Fenn to write these down. That is why they are on this shelf and the incident reports are not.

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Work Seven · uncharted bedrock unsigned · one account

The Deep Register

A hauler hears something in the basalt that should not be able to make a sound, and spends eleven years and one crawler proving it is there. One continuous account by the only person who came back, who never gives their name and never says the crawler's. Register is a filing word and an acoustic word, and the book never once tells you which one it means.

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Work Eight · the Black Velvet Forest a registration number · ledger entries

Five Hundred and Forty Days

One Aura year alone in a forest that eats sound. She survives it by filing it — calories out against calories in, hours slept, a running column for things she said out loud to nobody. She signs every entry with her registration number and never once with her name. The accounting is immaculate for four hundred days. What happens to the handwriting after that is the story.

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Work Nine · the Buoy Bridges compiled, no compiler named · 212 complaints

Complaints Regarding the Old Man at Buoy Twelve

An old man in ceremonial ballast nobody asked him to wear walks the floating bridges defending settlers who do not need defending from machinery that is not a threat. Somebody has collected every complaint filed about him, in order, and added nothing. The community does not stop him. It files him. Two hundred and twelve times, and then the complaints stop, and the last page is the gap.

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Work Ten · the whole circumference the people who bet · a settlement book

The Circumference Wager

An engineer famous for punctuality bets she can cross the planet — hydrosphere, forest, the Touge, all of it — faster than the supply routes. The book is not hers. It is the settlement ledger kept by everyone betting against her, with the running odds and the arguments in the margins. The one comedy on the shelf, and the joke is that the arithmetic loves her and nobody else does.

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Work Eleven · an exile shelf withheld · letters, none sent

Letters to the Man Who Filed Me

A Guardian is written out of the register by a colleague and exiled to a ravine shelf beyond the Open Eye's reach. What they find out there is a founding-era cache of induction plates — a private tap into the grid, power nobody can see them draw. Every letter is addressed to the man who signed the form. None are sent, all are numbered, and the numbering is the countdown.

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Work Twelve · the Smelter Sinks a cadet · eleven drafts of one page

Eleven Attempts at the Same Morning

A Guardian Academy cadet freezes on a first enforcement action, hides, and watches the rest of it happen without her. Then she writes it down. Then she writes it down again. The work is all eleven drafts in order, kept together, none discarded. The shortest thing on the shelf. Draft one is four lines and a lie. Draft eleven is four words.

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Work Thirteen · unledgered, before the bots Johnny SunShine · forty-one articles

Somebody Would Have Come

A man nobody has on file writes a founding document for a world that was never founded. Forty articles of ordinary governance — and then Article Forty-One, which describes machines that do not exist yet: things that carry, and mind children, and stand between a person and harm. He wants to be on a register. He wants to be watched, because watched is the same as protected. He writes it before the units arrive. He does not live in the world he described, and the world that arrives afterwards looks exactly like it.

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Work Fourteen · the Touge Passes a courier, unnamed · forty-one manifests

The Manifest Nobody Filed

Every manifest for a food-delivery route down the Touge switchbacks, filed on schedule for three years. The delivery times are all impossible for the vehicle on record. Nobody has ever flagged it. The paperwork is completely in order, and the paperwork is the only part of this that is true.

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Work Fifteen · the Touge Passes no author, compiled · nine tellings

Nine Switchbacks, Nine Voices

Nine different racers describe the same anonymous driver who has held the fastest time on every switchback for six years, and no two descriptions agree on the vehicle, the year, or whether it was one person. The only thing all nine agree on is the ninth switchback, and none of them will say why.

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Work Sixteen · a mechanic's bench M. Okonkwo-Reyes · margin notes on eleven diagrams

The Apex Ledger

Eleven technical diagrams for cornering the Touge switchbacks, drawn by a mechanic for two racers who were, by every account, rivals. The diagrams are correct and the margins are not about cornering at all. The last diagram has no notes on it anywhere, which is the only page anyone has ever asked her about.

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Work Seventeen · a garage, unpublished private, one reader only · a single unfinished manuscript

The Country Ren Never Named

A drift-racing fantasy about a country that doesn't exist, written for exactly one reader by a friend who never intended anyone else to see it. Every place and every character is named after something the reader threw out over thirty years for no reason he could ever explain — a word he liked the sound of, nothing more. Every single one of those words turns out to belong to a real language, one that hasn't been spoken since before the ship left, and the reader has never once heard it spoken in his life.

Not written yet · vote for it →
02

The Casebook — nine cases

The largest work on the shelf, and the only one with a recurring cast. Nine cases, each self-contained, each roughly the length of a long evening. Sabin Kroll is a Resonance Analyst — a real vocation on this planet, tuning the Lithospheric Resonant Conduction grid, carrying the implant that gives her a faint sense of grid vibration. She does not deduce from cigar ash. She feels the floor. Dr. Idris Fenn is an Acoustic Healer who treats with tuned frequency in resonant basalt, follows her around, and writes it up because nobody else will.

  1. The thing at Venus Reach. Miners report a phosphorescent shape that hunts them in the deep counties. The administration files it as geological stress hallucination. It is a light-diffraction rig and somebody is running cargo underneath it. The long one. The Hound.
  2. The room that returned nothing. A privacy portal that recorded when it was certified not to.
  3. The Two-Beat. A Twin-Tide Cartographer's swell prediction is wrong by four hours and eleven people move house on the strength of it.
  4. Slot Nine. A death in the Sinks that no tribunal will convene for, because there is no tribunal.
  5. The borrowed name. Somebody is on the register twice.
  6. Forty metres of quiet. A stretch of the grid that stopped resonating and nobody logged it.
  7. The Ledger's End theft. A crime committed in the one window each year when every outstanding obligation is wiped.
  8. The client who is lying. Fenn works it out first, for once, and Kroll lets him.
  9. The last case. The one that ends the sequence, and the one where being right costs her something.
03

What gets written next

Every work here is short and finished — three to ten thousand words, a whole thing, not an excerpt. Nothing on this shelf is ever left hanging. When one earns it, it gets expanded into a longer edition, and the vote decides which. Pick one.

One vote per reader. Your pick is remembered on this device.

04

Why this shelf is separate

  • The side stories happened. All ten are real events in the real world of Aura-36, and they bend to the main line because they touch it.
  • Nothing here happened. These are documents by citizens, and a made-up story cannot contradict a fact. That is the point of keeping them apart.
  • A story is the one thing in this world that is not a filing. This is a civilisation that registers, minutes, ledgers and returns everything. Every serious document it produces was written by somebody with a position. The Apocrypha is what people wrote when they did not have one.
  • No work here is ever used as evidence. Not to date anything, not to prove anything, not to settle an argument in any book. The moment a character cites one it stops being what it is.
  • Each keeps its own form. Chapters, tellings, pieces, readings, leaves, cases, letters, articles, drafts, complaints. The form is part of the document.
  • Mostly not paperwork. This civilisation files everything, so the obvious move is to write every one of these as a form — and that would kill the shelf, because the whole point is that these came from people who had no position to file from. Three exceptions earn it: the survivor who accounts for her own starvation, the old man his neighbours filed instead of helping, and the unledgered man who wrote a constitution he had no standing to write. In each case the paperwork is the wound, not the container.